A diva of the Paris stage transforms her mousy daughter-in-law into an attractive ingenue to spite her hated son, away on military service.

Documentary charting the military course of the Great War. Expert commentary, stills, letters, diary entries, paintings and vivid film footage drawn from 40 archives around the world bring to life the experiences of those who fought the war on every side and every front. Narrated by Dame Judi Dench and featuring the voices of Liam Neeson, Ralph Fiennes, Natasha Richardson, Imogen Strubbs, Helena Bonham-Carter, Helen Mirren, Jeremy Irons, Tom Fleming and Tim Pigott-Smith.

Oscar Diggs, a small-time circus illusionist and con-artist, is whisked from Kansas to the Land of Oz where the inhabitants assume he's the great wizard of prophecy, there to save Oz from the clutches of evil.

An accomplished TV travel host is gifted a heart-shaped hourglass which gives her a second chance to revisit her past. She eventually has to choose between a new life or the life she knows before the sands of the hourglass run out.

Six part series filmed around Manchester all looking at 6 different relationships. From the women who desperately wants a baby, to a couple who fantasise. Some excellent acting and intriguing stories. All episodes have discreet humour in them, and make gripping watching.

Two Canadas from the 12th century: one real, one imaginary.

A struggling artist visits his family on their Montana ranch and finds that his former flame, daughter of a family foe, is now married to an old friend.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

In June 1950, soon after the start of the Korean War, a troop of North Korean soldiers enter a small South Korean village. Captain Jeong-woong proclaims that they came to liberate the villagers but their true agenda is to ferret out the reactionaries. The villagers and Seol-hee, who is separated from her fiance on her wedding day, offer them heartfelt hospitality and cooperation to avoid falling out of the army's favor. Eventually friendships starts to build up between the soldiers and the villagers.

Charming and innocent, Candide is vigorously chased away by the Baron, for his close encounters with the pretty Cunégonde. World War II breaks out, and when he is drafted and taken prisoner, he is forced to take German nationality and ends up guarding the camp where he was imprisoned. He crossed into Switzerland, but as he had no bank account, he was incarcerated for eight days for trespassing. Hunted by the Gestapo, he kills two men to free Cunégonde, who has finally been found. They both flee to Argentina, and their world tour begins. In Paris, Moscow, New York, Borneo and Alexandria. They try to follow Dr. Pangloss' optimistic rule of life. Tossed about, separated, they find themselves grown old and wiser, thinking only of cultivating their garden on the shores of the Mediterranean.